Many musicians love using the word “collaboration,” a scenario that so often results in one party becoming an unpaid subcontractor experiencing minuscule gains for their sole-proprietorship for the sake of another party’s scalability and benefit. Musicians: Be wary of the words, “Let’s collaborate!” Musicians-to-musician interactions: Take time to [...]
Today’s Topic: Culturally responsive teaching with exit tickets (fostering joy) Today’s Tip: Utilize daily exit tickets for qualitative data that informs your practice. Exit tickets work! Since the pandemic started, I have been using exit tickets to gauge student engagement and understanding. It started as a [...]
The truth about the business So many people in the music business will want to "use" you. They will use you for your talents, understanding, and skills to bring them more "prestige" and "clout" rather than for the genuine pursuit of artistic, professional, and human excellence that culminates [...]
As the 2020-2021 school year draws to a close, many of us feel burnout, exhausted, and suffering from a lack of inspiration when it comes to lesson planning. Coupled with the inability for many of us to have "normal" performances, it can feel daunting to find a [...]
I remember playing an original song at my first open mic night. I was 17 years old and a senior in high school. Until that point, I had written some original songs that I would play around with but never felt confident with my voice or playing to [...]
I am Donna Rhodenizer. I am a composer. It took me a long time to grow into the label and embrace it as part of my musical skills. When I was a young music student, I wrote little “ditties” that I would play on the piano. In high [...]
Welcome to The Asterisk*, a new regular column where we’ll chat about diversity, equity, inclusion, and accessibility in music education. An asterisk's function is to quickly give readers a baseline of knowledge so the reader can dive into content. This column aims to introduce or refresh deia concepts [...]
I am passionate about music education, specifically Popular Music Education, Creativity, and Informal Learning. So passionate, in fact, that I have written two books under my own publishing company, Steve's Music Room Publishing, and have been commissioned for a third through the Oxford University Press--yes, that Oxford University [...]
Conducting research often can seem like falling down a rabbit hole. One study answers initial questions, the analysis and implications lead to more questions…lather, rinse, and repeat for forever. This research is the embodiment of using one research study as the basis for another. [...]
I started a new job this fall at Boston University and I love it. I am an Assistant Professor of Music (Music Education). My job is mostly to work with graduate students on interesting, challenging topics and publish research in my area of expertise. Basically, my dream job [...]